Every once in a while, we are confronted with a
film’s premise that truly puts us to the test. In The Woodsman director Nicole Kassell dares us to sympathise with a
reformed child molester (played with a haunting conviction by frequent
on-screen psycho Kevin Bacon) as he struggles to find his place in society
after a 12 year spell in prison. Needless to say, there are more comfortable
ways of spending 87 minutes, but both Bacon and Kassell manage to walk a fine
line between subtle and controversial without ever ill-treating the delicate
subject. In terms of sheer audacity, this is bold filmmaking that needs to be seen to be believed.
3/5
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